" Second Sons": Melisandre and Gendry arrive to Dragonstone. Thoros of Myr tells Melisandre about the first time Berric Dondarrion was resurrected. " The Climb": Melisandre appears to the Brotherhood Without Banners. " Kissed by Fire": Thoros of Myr prays to the Lord of Light as they prepare for the Hound's trial by combat. " And Now His Watch Is Ended": A modified version appears as Varys tells Tyrion about his cutting, his life and reveals he has found the sorcerer who cut him. " Walk of Punishment": Melisandre sails away from Dragonstone. " Valar Dohaeris": Davos tries to murder Melisandre. After the wildfire has been ignited Stannis still attacks with the surviving men. " Blackwater": Stannis's fleet arrives to Blackwater Bay. Stannis and Davos plan the attack on King's Landing. " The Ghost of Harrenhal": Renly is murdered by the shadow created by Melisandre. " Garden of Bones": Stannis and Renly meeting. " The Night Lands": When Melisandre promises Stannis a son and they have sexual intercourse. " The North Remembers": During Melisandre's burning of the Seven Gods' idols. Stannis Baratheon and Melisandre's theme. The title comes from the refrain of the religion of the Drowned God: "What is dead may never die, but rises again harder and stronger." Contains the melody of the House Stark theme ("Goodbye Brother") in the very beginning. " The Laws of Gods and Men": Yara and her men sail to rescue Theon. " Mhysa": Yara tells Balon that she will rescue Theon from the Dreadfort. " Valar Morghulis": Theon prepares to make one last stand and encourages his men to do so before he is knocked out by them. " The Ghost of Harrenhal": As Theon first sees the Sea Bitch.
" What Is Dead May Never Die": Theon burns a letter warning Robb and consecrates his faith to the Drowned God. " The Night Lands": As Theon and Yara ride to Pyke. Contains the melody of the House Baratheon ("The King's Arrival") and Petyr Baelish's theme ("Chaos Is a Ladder"). " The North Remembers": During the massacre of Robert Baratheon's bastard children. Noting a lack of thematic development or dramatic momentum, the reviewer nonetheless appreciated the score's more subdued moments, which he considered less forced than the rest of the track.
Tracksounds 's review was again mixed, describing the score as little more than adequate. The soundtrack received mostly positive reviews.
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